SOFTWARE DOWNLOADS: WaveLab 5
However, there is one giant caveat that has a big impact on these specifications, in that the maximum bandwidth for the audio stream on a DVD-Audio disc is 9. To overcome this limitation, the working group for DVD-Audio chose MLP Meridian Lossless Packing as a format for compressing audio in a lossless way to maintain quality and basically get more audio data on a disc. In most cases MLP achieves less than half of the bit rate required for uncompressed audio, which is important both for higher-quality surround mixes, and for the total amount of data you can fit on a disc. A DVD is limited to 4.
Steinberg Wavelab 5
However, there is one giant caveat that has a big impact on these specifications, in that the maximum bandwidth for the audio stream on a DVD-Audio disc is 9. To overcome this limitation, the working group for DVD-Audio chose MLP Meridian Lossless Packing as a format for compressing audio in a lossless way to maintain quality and basically get more audio data on a disc.
In most cases MLP achieves less than half of the bit rate required for uncompressed audio, which is important both for higher-quality surround mixes, and for the total amount of data you can fit on a disc. A DVD is limited to 4. Using MLP, you can get two hours of two-channel bit, kHz or a staggering 13 hours of bit There’s just one problem: These licence fees would push the cost of Wavelab into the thousands of pounds price range, and hence MLP has not been bundled as standard.
This is understandable, but it is a shame Steinberg don’t provide it as an optional plug-in for high-end customers in the same way the company have provided optional Dolby Digital and DTS encoders for Nuendo customers.
It Takes A Montage To create a DVD-Audio group as a Montage, you simply create a Montage of the appropriate sample rate and set its Mode to DVD-Audio, via the Mode pop-up menu in the Edit page of the Montage window, described earlier, where you can also define a configuration for the Montage, in terms of the number of channels.
All the audio in a Montage uses the same channel format, although each Montage or group on the DVD-A disc can be of a different sample rate and configuration. The next step is to import the actual audio into the Montage window and create DVD-Audio Track Start and End markers to define the start and end point of the Tracks within a group, just like when you’re using Wavelab to create an audio CD. You can do this manually from the Markers page, or using the DVD Wizard option in the DVD, which enables you to go through and create a series of Markers based on the length of Clips in the Montage window.
Once you have defined some tracks, you can check that you’ve created a Montage that can be a valid DVD-Audio Group by using the Check command from the DVD-Audio page to make sure you haven’t gone above the maximum 9. A new window is opened for the DVD-Audio Project and you’ll be asked whether you want the Montage to use the same Master Section settings as other Montages, a specific set of settings for that Montage, or to simply ignore the Master Section altogether.
Even if you choose Ignore and Master Section is disabled, Wavelab tells you that you have to enable the Master Section to continue, which seems a little quirky, but this is a very minor point.
Wavelab’s new Menu Generation window allows you to customise how menu screens will look when you play back your DVD-Audio disc on a system attached to a video screen. Some of the styles for selecting tracks didn’t always come out the way I intended, and I’m not quite sure who’s to blame here, although I’m guessing the Pioneer player may have problems in handling certain graphical menu commands more on this in the next section.
In a future update, it might be good if there was a ‘Create Basic DVD-Audio’ command that allows you to create a simple, one-group disc by dragging a few audio files into a window, just for speed, but this request definitely falls well beyond the ‘icing on cake’ territory. Getting Into Details Once you’ve got to grips with the basic process of creating a DVD-Audio disc, you’ll soon realise that Wavelab’s feature set goes way beyond creating basic DVD-Audio discs, and actually includes full support for adjusting almost every possible setting on a DVD-Audio disc, including the ability to work with text and pictures.
To start with, each Montage has a DVD-Audio settings page that allows you to define whether a given Montage should end up in either or bit resolution on the disc, along with how the DVD-Audio player should handle the stereo down-mix if the Montage is multi-channel and ultimately played on a non-surround system. These down-mix settings can be previewed when you enable the Stereo option on the Master Section, which is pretty handy.
Wavelab handles the picture and text elements of DVD-Audio discs by providing two extra track types in the Montage window: If you select Insert Text, Wavelab will display a dialogue for you to configure a Text clip by typing in suitable text and defining how long it should be visible. If you select Insert File, Wavelab will prompt you to find a picture file, and double-clicking a picture file enables you to set various options, including various transition effects such as fades, wipes and dissolves, although Wavelab is keen to point out that not all DVD-Audio players actually support such transition effects.
Once you’ve added all of your Montages into the DVD-Audio Project window, an additional step to polishing off your DVD-Audio disc is to customise the menus that appear on the video screen of a DVD player, allowing the user to navigate your disc. Wavelab actually prepares a basic menu by default, which is what your disc will contain if you don’t make any other adjustments, but the application also contains quite a comprehensive Menu Generation tool that can be accessed from the DVD-Audio Project window.
In the Menu Generator you can basically customise how the names for the Album, Groups and Tracks are displays, setting the fonts, colours, and so on; and since menus are stored on a DVD as bitmap information, you don’t have to worry about font availability on DVD players.
For the actual tracks, you can specify whether only the names are displayed, or whether Wavelab adds the length as well, and when it comes to set the colour, you can set the basic colour, the selection colour to show the current selection in a list of tracks , and the action colour for when the user actually chooses to play that track from the menu.
Each group is displayed on its own menu page, and each menu page can have either its own static-colour background, or a unique picture. Wavelab comes with some fairly attractive and generic backgrounds, which definitely add a more professional touch than a solid colour, and once you come up with combinations of colours and pictures that you like, you can create presets for use with other DVD-Audio Projects in the future.
Finally, the Menu Generation window also provides a simulation mode so you can try out your menu system with playback of the actual audio content. As you can see, Wavelab ‘s support for almost every intricacy of the DVD-Audio standard is pretty much exemplary, and the only really significant feature not implemented is support for MLP. Conclusion Wavelab 5 is a great update to an already great and well-respected audio editing package, although it’s also fair to say that perhaps not every existing user will view this as a must-have update.
Unless you want to be able to author your own DVD-Audio discs, work with multi-channel Montages, or add video to a Montage, there aren’t really any other major features to warrant updating, unless some of the more minor improvements and the desire to have the latest version prove attractive. In terms of alternatives to the DVD-Audio authoring features, the main competition comes from Minnetonka’s Discwelder series of applications, which are available in three metal versions: Bronze, Steel and Chrome.
As long-term Wavelab users know, Goutier is consistently improving Wavelab and version 4, for example, saw a constant stream of free minor updates, tweaks and fixes over its lifespan.
This trend looks set to continue and the original Wavelab 5 release has already been superseded by the freely downloadable 5. Wavelab is possibly the best application of its kind on the Windows platform, and one of the most powerful all-in-one solutions in its price bracket on any platform. At this point, it’s a pretty stable and mature application that remains a pleasure to use, and if you need the functionality offered in this new release, Wavelab 5 is unlikely to disappoint.
The new multi-channel support in Montage window, Master Section and real-time analysis windows is particularly welcome. The Video Track offers some great features for those who want to cut against picture in the Montage window. Cons You can’t open and edit multi-channel audio files in a sample editor window in the same way you can with mono or stereo files. Summary In addition to being an elegant, feature-rich audio-editing and CD authoring solution, Wavelab is now a comprehensive tool for DVD-Audio authoring, with added support for video and multi-channel work.
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