Lennar Digital Sylenth 1 – Thomann UK
Towards the top left and right are the two oscillator sections. They have Octave, Note, and Fine tuning controls available. Standard controls are here, such as Volume, Phase, and there is a Detune for the unison voices.
Oldies but Goodies – Sylenth1 by Lennar Digital
Towards the top left and right are the two oscillator sections. They have Octave, Note, and Fine tuning controls available. Standard controls are here, such as Volume, Phase, and there is a Detune for the unison voices. The Stereo control adjusts the spread for the voices in the stereo field. Retrigger works as expected: On the left side of the display, the inputs to both the Part A and Part B filters can be configured. There are a few ways you can change the way they are set up.
The filter types included are low pass, band pass, and high pass. These can all be switched between a 12dB or 24dB slope. Below this filter section is the Filter Control. I can load up so many instances at once that I hardly need anything else in the project.
Sylenth1 includes two amplitude envelopes one per part located between the oscillators, two modulation envelopes, and two LFOs. The way the modulation works is simple: Over on the right, there are four additional modulation panels. These are freely assignable, so you can pick whatever you want as a source and a target. Just like for the other panels, there are two targets for each of them. Next to each slot is a bipolar amount knob to dial in the level of modulation you would like.
In the middle of the display is a multi-function panel which contains among other things all of the effects.
There are a good number of distortion types available: Overdrive, Foldback, Clip, Decimate, and Bitcrush. The six-stage Phaser is one of the most robust as far as controls are concerned. The Arpeggiator is in the effects section, and includes ten different modes. Up to sixteen steps can be used, and the Time and Gate controls are for the speed and note length for the sequence. Several velocity modes are also included: I will just explain a few of them. The one thing I feel the arpeggiator is missing is a Swing function.
Maybe it will be in a future version? But I must agree with the ago-old wisdom: However, if I had a choice of what to add to it, I would say that PWM pulse width modulation is very important. Also, it could use two more LFOs, swing for the arpeggiator, and the browser has some room for improvement. For the most part, Sylenth1 has stayed nearly the same over its lifetime, but there have been a few additions that are definitely noteworthy.
Some of the improvements in the latest versions include bit compatibility, many more presets, several alternate skins, preset randomizing, MIDI-learn for each control, display re-sizing, file drag-and-drop for fxb and fxp files, and an AAX version for Pro Tools.
I can get along without the wish list I just mentioned. Sylenth1 still sounds very good, and even after all the years that have passed, it stands the test of time. It rarely goes on sale, but it has happened in the past. Audio examples and a demo version are available on their website here:
Virtual Synthesizer (Download)
Sylenth1 Software Synthesizer, including Martin Garrix, Deadmau5, Skrillex and others. Lennar Digital Sylenth1 Software Synthesizer reviews & prices. I have to pay a price for renting it instead of buying it directly (€ is not . I can’t really find an option to rent Sylenth1 on the Splice website. On the face of it, there’s really not so much interesting about Sylenth1: it’s yet another virtual analogue subtractive synth with a few oscillators.
Lennar Digital Sylenth 1
But more important is the choice of the right sounds. In the old days you would need a real synthesizer to create sounds. But nowadays most of the sounds in a production come from so called soft synths. Soft synths are one of the most powerful tools you can use to create an unique and powerful sound.
Installing the Sylenth1
Home review Review: Sylenth1 v3.
Watch: Review: Sylenth1 v Virtual Analog Synthesizer by LennarDigital
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